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  • From [email protected] on Draw fine tuning

    It works like advertised and I am happy with and use it on most shots. The web has me confused “they” keep saying the angle of the club face is 85% responsible for initial direction. My best guess is you are swinging out to the right so it is a little less closed. The hands are forward at impact so again a little less closed. Is that all it takes to take the 45 degrees club face out and start the ball at the target on the exaggerated draw shot?

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  • From Asad Ali on Trail Hand Release

    Dear Shawn, I get a little confused while swinging. Should I focus on the task (cutting grass or going through the door frame) or being a witness to the club releasing me? When I focus on either, the other thing slips away. Is there a trick to solving this problem? Thanks

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    • From Shawn Clement on Trail Hand Release

      Hi Asad! Yes!
      You make the cutting of the grass A PREDICTION based on you THROWING THE CLUB in the direction you want to start the ball;
      So, the question you ask is: when you throw the club into a nice release in this direction, do you feel low enough that the club will cut the grass on the way?
      If the answer is yes, then you stay with the throw and release with ease and velocity; a nice full throw.
      Then see what happens AFTER THE THROW and do not make sure or be careful.

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    • From Asad Ali on Trail Hand Release

      Dear Shawn, someone advised that on my back swing, my lead knee should not rotate in beyond the ball. It should basically stay straight or at max turn upto the ball. This helps me some with contact, but wanted to check with you of that is something I should be thinking about.

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    • From Shawn Clement on Trail Hand Release

      Hi Asad!
      That way of thinking is so massively ignorant and antiquated and is the reason Golf is in the state it is in today; PLEASE PLEASE IGNORE THAT PERSON. It is not their fault, they are just regurgitating something that too many teachers were jamming down golfers throats in the “BE CAREFUL-WATCH OUT- MAKE SURE’ era of golf these last 30 years.
      Tell them to look at Matt Wolff, Jack Nicklaus, Sam Snead, Bobby Jones, Bubba Watson, and so many other hall of fame GREAT PLAYERS AND BALL STRIKERS and then tell them to do their homework on anatomy and the evolution of human movement and motor skill learning.

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  • From [email protected] on Consistency Series

    Shawn – are you opening and closing the face of the woods/driver for draws and fades? I tend to overcook the fade to a slice when I open the face of the driver.

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    • From Shawn Clement on Consistency Series

      This is why I always say: close the face a bit less for the fade; it should be no more than 2 degrees open THAN YOUR DRAW GRIP.

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  • From [email protected] on Rhythm Training - Part 4

    New member. I’m coming from Dante’s swing system. I’m struggling with the backswing. Is it okay to be across the line at the top? It feels super long and almost to a reverse pivot. I’m really having to work on swinging to my target vs the ball.

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    • From Shawn Clement on Rhythm Training - Part 4

      Welcome home!!
      The videos you want to see are the “mile markers for balance” “mile markers for contact” and the 4th video in the consistency series called the “mile markers for direction”
      Have a look at those and then see what develops when you practice this!
      An oldie but goodie on my youtube channel-see “overswing and fast backswing shawn clement”

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  • From [email protected] on Fade fine tuning

    Hi Shawn. Is the ball position the same for a straight fade as it is is for a bigger fade? Many thanks. .

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    • From Shawn Clement on Fade fine tuning

      Yes, pretty much because we don’t want to have to lunge after it; simply aim more left and open the face a bit more; for a HIGHER FADE it can move up another half ball to a ball max.
      Shawn

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  • From [email protected] on Draw fine tuning

    So I played today and as I replayed my round in my head this evening most of my misses were over draws, even with my approach lower irons. I sensed this during the round and tried to switch to fades, but , some of those turned in to double cross pulls. I pluck an intermediate target and Terri to have a picture of the shot in my mind, but I think I may be starting my downswing from the top. When I have sent video in you have identified the transition as my difficulty

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  • From [email protected] on Greenside Chip - Thick Rough

    Great video, i use a left hand low putting stroke (right handed )would it be worth using that when using aputting stroke feel ?

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  • From Bill Weiss on Draw fine tuning

    Excellent!

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  • From Bill Weiss on Fade fine tuning

    Talk about an ah hah moment!

    I know for a fact that I’ll be able to steer the ball a bit better now! 😉

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  • From [email protected] on Ball Position & Distance to Ball

    Hi Shawn
    I heard you on On the Mark podcast the other day. You said that the ball should be placed closer to you when you “throw the club” compare to if you hit “at the ball”. Could you explain that further? Maybe you already made a video about this?

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    • From [email protected] on Ball Position & Distance to Ball

      Hi Shawn, recently I have stopped using the driver as sometimes it got me trouble . I have using your videos to help this and shot my best medal round and won on Saturday. However I would like to use the driver but biggest problem I hit the ball so high and lose distance , my loft at impact is the same as a 5 iron , what video could help
      With this problem

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    • From Shawn Clement on Ball Position & Distance to Ball

      Sounds like you are popping up!
      Start with this video I just put out on youtube: https://www.youtube.com/watch?v=WAU2tIwasy4
      Shawn

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    • From Shawn Clement on Ball Position & Distance to Ball

      When you go after the ball, you extend AT THE BALL, which means you need to get farther away;
      When you throw the club at the target, your right arm is still bent at impact and is in the process of extending through to the target OUT THERE!!
      So this greatly affects the distance between you and the ball.
      See the “goldie locks series” and see the one about the distance to ball;
      Shawn

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  • From [email protected] on Fade fine tuning

    Trying to grasp where to align my setup and where to aim clubface. Other than “feeling it” would you say you aim your setup/body at the line you want to start the ball and the clubface is aimed where you would like the ball to finish?

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    • From Shawn Clement on Fade fine tuning

      No, please no. This is the old way of teaching STATIC positions where we logically tried to apply to a static set up. When you deliver through the ball, the club face opens more than it is at address. Because the hands are coming through first. See the first video of the consistency series and an oldie but goodie video on youtube called “weak grip vs strong grip”
      Then see “working the ball” video on premium and you should be all set!

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  • From [email protected] on Trust Your Swing

    I worked with a pga teacher last week.
    He told me to Hit more down.
    I throw a football 2 feet in front of me.
    Works great.

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    • From [email protected] on Trust Your Swing

      But it hinders me, swinging to the target.
      Any thoughts?

      How can i get ONE really good task?
      My head always is changing.

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    • From Shawn Clement on Trust Your Swing

      Did you see the top 3 tasks video?
      Which one resonates best with you?
      Did you also see the throwing the club video?
      Mine is, when I throw the club in the direction OF MY INTERMEDIATE POINT, I predict that the stem of the dandelion is in the way of my throw; then I make my best rhythmic throw!
      Shawn

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    • From [email protected] on Trust Your Swing

      Maybe that is my problem.
      I don´t know.
      Peeling the carrot i like in theorie, but that hinders me not thinking about the ball.
      Throwing to the target doesn´t fit my intermediate point.

      I see throwing the club, but i didn´t do it yet.
      I didn´t find a place yet.

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    • From Shawn Clement on Trust Your Swing

      That would be the first priority; find the “modus operandi”, the “means by which” you get the ball to the target.

      Squeeze it through the doorframe, zip it throw the dandelion stem, peel off that thin strip of carrot towards the target…

      Your mind needs a clear picture of how the ball gets collected and released into the flight picture!
      Shawn

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  • From [email protected] on Making Consistent Contact

    Hi Shawn, as you come into the hitting zone, is the feel of a circular, stress-free, whippy cut coming through the ball, or more of a driving forward, hammering the nail into the bottom of the post? You’ve used both analogies before, and to me, they feel much different. I’d like to pick one sensation and work on it!
    Thanks

    Dr. Joe

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    • From Shawn Clement on Making Consistent Contact

      Hey Dr Joe!
      Depends on the shot!
      Low draw into a 3 club wind is door frame; high fade riding the wind, cutting through dandelion stem along the surface of the ground. Zippy spinny shots with irons, peeling the carrot and sending the peel in the direction you want to start the ball.
      Master one, then master all! 😀👍

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    • From [email protected] on Making Consistent Contact

      Thank you Shawn, that clarifies it!

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  • From [email protected] on Fade fine tuning

    I practised with a closed stance (with driver, 3w) and I seemed to get better ball speed on the monitor. But it seems so much depends on setting the right intention/prediction. I found I could fade it even with a slightly closed stance if I kept my focus. I think the fade is a more reliable shot for the woods at least. Also- I found that if I hover the club at address I was making crisper contact with all shots including the irons. I think hovering releases tension. At least so far …

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  • From [email protected] on Fade fine tuning

    Hi Shawn.
    Today i tried to slice my pitching wedge around a tree. Had no chance. The next shot i needed to try and draw my sand wedge, missed too. Now i know why the shots ended where they did. Thank you for anothet eye opener.

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