Amazing that I have things in common with “The Big Guy”. I was at the range and actually said out loud, when I missed, “Too much effort.” Thinking 1 out of 10 is a good thought. Loving these lessons.
Great video. I’m currently struggling with a low hook not on every shot just sometimes when I’m trying to play a draw which is my go to shape. Ball starts right and curves more and more to the right and it barely goes 20 feet in the air. My Miss in general is a hook or a push that doesn’t draw back Can you point me to a video please that will help? I’m left handed by the way.
Hey Gaz! Very important to work on fades to balance things out!
see “how to match backswing to ball direction” and then see “fade fine tuning” and then “draw fine tuning”
The pro I take lessons from a wants me to work on this specifically , so Once again you’ve explained things that resonate with me. Will be practicing this tomorrow. I need more turn in my swing. It’s great but still need more turn. Thanks Shawn
Yes sir! One of the nice drills for this is the axe drill; see “using the weight in your swing-axe drill with Savy” video and really feel that you are ALLOWING the legs to be USED in the backswing to heave the arms and club away and into a nice levitation up the rib cage. See “backswing levitation” as well!
I think I might’ve had a breakthrough with this video. It looks to me like your swing arc is more up and down versus around your body. I’ve been swinging more around my body for years and I wonder if that’s why I’ve been struggling so much to maintain my tilts and execute my task. I’ll think “throw the club to the right of the intermediate point” and no matter how hard I try my club path always reads out to in. I also really struggle with engaging the legs and THEN the arm-club unit on the downswing. They always move in unison for me to disastrous results and/or compensations. I’ve been telling my instructors for years that I’m making compensations because of a bad transition, but because I know how to make my swing look pretty on video nobody’s been able to help me get to the root cause.
Yes sir! You are in the right place with these videos; see also “backswing levitation” and “perpetual motion drill series” and the latest “off season training series 2020-2021” where we talk about the release into a hinge of the wrists and this hinge is what takes the backswing up the rib cage instead of around the body. When this happens, the “levitation” takes care of the arms as the brain can now secure the ground in the downswing to engage the kinetic chain. Timing, rhythm, effortless power, no need to interfere, just witness the greatness!
Hi Shawn, a question on the release. Where do you stand on the “flipping the hands” Vs body rotation release. My hands and wrists are pretty active in the swing and my club will over take the hands maybe a foot after getting through the ball. I’ve had a lesson where the coach advocates turning the body hard through impact which to me feels like no handsy release at all! Your releases here seem more like how I do it so don’t know whether to commit to changing to this “body turn” way or not. Any advice much appreciated
Hey Sam! The fact you need to THINK ABOUT turning the body through impact is already SABOTAGE TO THE SWING. The last thing you need to do is to think about turning the body!!!!
See all the “release” videos and see how we are built to LET THE ARM ANATOMY RELEASE ITSELF in the direction we want to start the ball and then see the “throw the club” and “throwing series” and then the “kinetic chain facilitation series” and realize once and for all how RIDICULOUS your pro sounds. It is not his or her fault; it is the state of the game at the moment unfortunately.
Hey Glenn!
there are a couple of very key factors that would need to occur for you to hook it:
1-hitting hard and putting a lot of effort into the shot and releasing AT THE BALL
2-loosing your task and defaulting to the ball
in the Fade fine tuning and draw fine tuning videos, you will see that yes, there is such a thing as too closed and this varies hugely with each individual anatomically as well as developmentally.
When you deliver the task (see all the task videos on site if you don’t know what I mean) through the ball and into the direction you want to start the ball with ease and a good velocity, and the ball does curve with too much hook, then your grip and club relationship is too closed to begin with.
also see “matching backswing to ball direction” video because if the backswing does not match, the ball will not do what you want.
Do you feel the weight of the club arm unit in one arm more than the other? I can slice the bamboo with one hand but the moment I put two on the club, it just doesn’t feel heavy anymore. If I use my lag shot (basically and orange whip with a club face) I can feel the weight, but when I grab my regular clubs with two hands it just doesn’t feel heavy anymore and I start manipulating
Hey Jeremy! It is the weight of the ARMS AND CLUB TOGETHER AS A UNIT! ACU for short. See “using the weight to hit your shots-axe drill with savy” and “starting the swing smoothly to slow things down”
My natural experience is likely as yours: one arm: completely relaxed and perfect kinetic motion; two arms: something off, perfect kinetic motion not possible.
Thus I have to swing ‘unnaturally’:
No effort except purely passive AC unit weight drop above the waist, activity solely below the waist with the upper body/ AC unit following the tight rotation, starting motion with the feet, culminating into a jump timed at the dynamic center of the swing, wrists free of manipulation – that leads to an effortless snap and throw.
When you throw a heavy hammer, that is what we do. The key is the relative contribution: below the waist active – above the waist passive.
Yes, and this is how the veteran lumberjack operates! Always use the legs to do the lifting and then use the resulting momentum to pound through! See the 2 videos I listed for Jeremy! 👍
When I feel maximum power in my left leg (stretching upwards) when the club head reaches the dynamic center of the swing (two to three foot behind the ball), the snap happens without effort and I feel a good and kinetically effective swing.
However, often I do not feel the power climax in the left leg at that point and the snap is dull.
I suspect that this happens because of something during the reverse at the top of the back swing.
Do you observe a key thing at the top among your students that makes this timing/snap sensation less likely to occur correctly ?
This is where you want to practice the #6 video in the “kinetic chain facilitation series”
When you are walking and sending grass divots into the direction you want to start the ball, your left leg engages so solidly and powerfully every time because it needs to continue to walk at the same time! The human machine at it’s very best!!
Hi Chris! See “how to match backswing to ball direction” and “start smooth to swing slow” and then see “the goldie locks series” and see the video pertaining to the grip and club relationship.
Shawn, I think this was a very good video. No matter how much you think about cutting grass, or slicing a dandelion stem, the brain still sees the ball and we need to send that object into our flight plan. I think the key is the hammering through that little white thing out to the target. IMO that keeps the brain focused on the real task which is getting that white object to where we want it to go. Personally, I have struggled with the stem and other tasks because my brain no matter what, knows that we have to hit that ball to get it where we want. I think this will help a great many of us.
I found this video while searching for practice routines. I’m just like Mu with the head sway in the backswing. I noticed it when looking at my swing analysis.
I’d really love for you to do a video on how to structure a practice session. I practice at an indoor facility on Full Swing launch monitors and I usually spend about 30 minutes on drills or swings and then play 9 or 18 holes of simulator golf depending on how much time I have. But I never have a plan on what I’m working on on a given day.
As an aside, how much should I be videoing my swing? I’ve noticed that I can make it look pretty on video but the reality is that I’m manipulating a lot
Great question! Check out the “flow state series” and learn how to practice the full “focus structure” which starts with:
1-flight plan
2-intermediate point to set you up into the flight plan
3-prediction that the big 4 fundamental building blocks of the set-up MATCH the flight plan and allow you to deliver your TASK into the DIRECTION you want to start the ball
4-Hold your focus by the hand and be the best witness to you staying with TASK into DIRECTION with the feel of the task-whippy, easy, powerful, majestic
5-Observe with NO JUDGEMENT-YOU CANNOT DO ANYTHING WRONG!!
Be really good with this.
If you are struggling with task, then work on that during your practice sessions and then play some holes with this focus sequence. You will see that this can be practiced anywhere without even swinging a club!
Hi Shawn, do you have any experience or perspective in regard to double overlap grip? I moved to this grip a little while ago with the hopes of reducing pushing to early with the right arm, but now I realize that that motion will always happen when/if I’m focused on the ball as opposed to the target. Now that I understand using gravity and throwing toward the target, I’m curious about moving toward your prescribed grip, just wanted to get your thoughts on double overlap compared to your grip. I feel like double overlap gives be two fingers to sling clementine with, as opposed to one finger.
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