Wisdom in Golf Premium

  • From [email protected] on TASK TO SHOT MATCHING SERIES PART 1-HAMMER THROUGH DOOR FOR LOW SHOTS

    Having a problem with my hammer release. I can’t seem to get the club face closed and my strike is with an open (little bite ) face. I’ve been following you for quite some time and am definitely a student. But having trouble with my driver.

    Thanks
    Mitch Wolf

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  • From [email protected] on Bolted and Centered

    You said elbows in front
    Does that mean elbows rotate toward hips inner elbows facing out?

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  • From [email protected] on The Grip

    shawn, I have always set the left hand on the club with the snuff box on the centerline of the shaft with a square clubface. This places the “thumbprint” on the side of the shaft at about the 1:30 position. Is this what you advocate? My golf glove does not wear out from club movement. How much from the above position would you open or close for a fade or a draw? I have always moved the snuff box to the front or back of the shaft for a fade or draw. I am 75 and have been playing since I was 12. I break 80 about 20% of the time from the senior tees (5,300 yds). Still trying to improve. Your instruction is excellent and commitment to teaching is second to none. Ron

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    • From [email protected] on The Grip

      Do you still advocate a very strong grip with the face closed like your earlier videos. Dynamic gathering of the ball.

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    • From Shawn Clement on The Grip

      Yes!! However this varies for the individual. Most are still way too weak to have any chance at delivering THROUGH THE BALL AND OUT TO THE TARGET. The final judge is when you can confirm a complete release well past the ball and into the picture and the ball is flying the way you want it to without any manipulations.

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    • From Shawn Clement on The Grip

      Thank you Ron! It sounds like you are pretty much spot on for the grip-club relation. Next is the delivery of the release in the direction you want to start the ball; letting the weight of the club release you in that direction. See “lead hand release” and “trail hand release” as well as “release fine tuning” and “fade fine tuning” and “draw fine tuning”
      Shawn

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  • From [email protected] on DIAGONAL STANCE SERIES PART 1

    Hey Shawn,

    I love your content and being able to eliminate so many thoughts and just perform the task. With the diagonal stance do hips and upper body remain on the target line? I initially found myself in almost a pre-turn position.

    Jeff

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    • From Shawn Clement on DIAGONAL STANCE SERIES PART 1

      This answer is the continuation of the message of “body part positioning is a disaster in the making”
      It starts with the flight plan and then choosing a nice intermediate point to help match the set up to the picture of this flight plan. You can go about it With the original structure of wisdom in golf or re-position the feet in a way that will allow you to maximise your range of motion in the backswing and have a better platform in the follow through to support the release in the direction you want to start the ball.

      The end result is the ball starts easily on the line you want it to start on and then curves the way you want it to curve to the end target. To think about where the shoulders and hips are would not be productive because it is all perception and we suck at it!! All we want to know is: does this allow me to deliver that way with ease and velocity and does the swing naturally want to move in this direction?

      Shawn

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  • From [email protected] on Backswing Series

    Shawn, loving all your videos, they really get me to “feel” my swing which is what I have always needed to do to play better golf. The technical stuff just gets me all messed up. I follow almost everything in this video series, but what is the “feel” you are going for when you say “levitate”? I can feel the left pec starting the heave, and then I feel the hinge, but what do you mean by feeling it levitate?

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    • From Shawn Clement on Backswing Series

      Very important!! When you get ready to jump up onto something like when you jump up on top of a rock or boulder, you use the swing of the arms upwards to do this right? Same applies here in the backswing; other players who do this well are Bubba, Jack, Tom Watson, Justin Thomas, Fred Couples, Davis Love etc…see some of those swings in the backswing!

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  • From [email protected] on Putting - Stroke & Distance Control

    hi shawn, i like the method of your uncontrolled putterswing. difficult is however how to start. I do it normally visualising or remembering of the pre swing you make. Read in the lines above that you did the ‘crenshaw’ method but that you changed. Can you tell me how you start the putterswing. Second question but connected to this one is in which degree are your shoulders as the motor involved.?

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    • From Shawn Clement on Putting - Stroke & Distance Control

      Ok, good question.
      1-the last thing in your mind you see when looking at the hole is the moving picture of a ball rolling into the hole from about 3 feet out at the speed you are looking for it to enter
      2-you would then be bringing the eyes back to the ball and then react to what you saw by LETTING THE WEIGHT of the arms and putter as a unit roll the ball into that picture.

      Imagine you and I playing soft ball and we are 10 feet apart and I ask you to gently toss the ball underhand to make it land softly into the palm of my hand facing the sky. Now, what did you do to start it?? Notice this is not a question for the conscious mind at all?? You simply reacted to what you saw and used a machine that runs at 40 million bits of info per second and then maybe caught a glimpse with the conscious mind which works at 40 bits per second and one single thing at a time. And shoulders should not be thought of either at all during this process either of course.

      I have another putting video coming soon to premium that will elaborate on this; it will be kicking off the off season “state of flow” series which will be some of my most important work yet!!😀👍

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    • From [email protected] on Putting - Stroke & Distance Control

      thx for your tips concerning my putting. There is something else that happened when exercising this uncontrolled putting stroke. Unconsiously i started putting with little movement out of my knees as i use now with in my swing and chipshots. Since i follow your techniques I am called ‘the dancer’ and it feels fantastic to swing in this rhythmical way. The knees as motor for putting. I found that i started putting with more rhythm and holed more putts. For the longer puts i see you are moving too. What do you think about this knee movement for short putts.?

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    • From Shawn Clement on Putting - Stroke & Distance Control

      As long as you don’t think about your knees! You simply allow the legs to do what they want to do while you allow the weight of the arms and putter to roll the ball into the picture you chose. 😀👍

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  • From [email protected] on Awareness

    Hi Shawn – this video and the pull versus push sensation really clicked with me and has resulted in a lot better shots releasing towards the target.

    Is there a specific task you recommend thinking about to get the pull sensation/left hand on top of the right/left shoulder higher than the right? I’m having a hard time doing it without thinking positionally. Any other videos you’d suggest?

    Thanks!

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  • From [email protected] on HIGH SHOTS PREMIUM DANDELION CUTS

    I am rather new to premium and do not understand the last new videos very well.
    Could you please tell me what videos to watch as a beginner ?
    Is there a series of videos for beginners or a plan what to watch first, then second and so on?
    Thank you
    Tom

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    • From Shawn Clement on HIGH SHOTS PREMIUM DANDELION CUTS

      Hi Tom! Start with Wisdom 1.0 and then grow from the bottom of the list to the top of the list. This is why these videos are a hit harder to understand! Shawn

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  • From [email protected] on HIGH SHOTS PREMIUM DANDELION CUTS

    Love all the common sense “goldilocks” adjustments you go through to ensure the best chances for the shot to come off as planned. It also allows the mind and body to be less anxious about the outcome and swing “with ease” as you say. Thanks!

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    • From Shawn Clement on HIGH SHOTS PREMIUM DANDELION CUTS

      David, are you OK? I sent you 3 email replies with questions before I render your analysis; did you getbthem?
      Shawn

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    • From Shawn Clement on HIGH SHOTS PREMIUM DANDELION CUTS

      Yes, there you go! And this is what will get us to the zone or flow state much easier and that is where we will be scoring leaps and bounds better than ever! Cannot wait to bring you this new series in November!
      Shawn

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  • From [email protected] on Major Driver Setup Nugget

    Shawn, Please clarify a few things for me about the alignment and setup: Are your shoulders parallel to your feet line? Do you plan your swing path to match your shoulder line or feet line? Do you ever set up with the clubface square to the swing path? Thank you in advance for your reply.

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    • From Shawn Clement on Major Driver Setup Nugget

      The answers are NO-N0 AND NO.
      Alignment is for momentum
      Club face is adjusted DYNAMICALLY for how much you want the ball to curve
      Intermediate point is king in setting up the direction of momentum and flow of swing.
      See my original “working the ball” video on premium.

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  • From [email protected] on HIGH SHOTS PREMIUM DANDELION CUTS

    Shawn, I didn’t understand this video. I heard you say you planned a high shot, I saw you hit a high shot, but except for tee height with driver, I don’t understand what you are doing exactly. Less forward lean on club? Longer “grass cut”? Just ball position? Not clear to me. Thanks.

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  • From Jeremy Moody on HIGH SHOTS PREMIUM DANDELION CUTS

    Hi Shawn. Nice video. Working on driver with Rob at RHGC tonight. Trying to play consistent fade. I’m struggling with impact location. Very much back 1/2 of the club face no matter whether I’m set up close to the ball or a club head off the ball at address. . T is off the left heel. I think I’m using too much effort and too much throw to the left. Thoughts? Cheers. J.

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  • From [email protected] on DIAGONAL STANCE PART 2-IRONS AND WORKING THE BALL!

    Shawn,
    Just to clarify, the intermediate point (IP) is always in line with where you want the ball to land—(the target) right? And How far left or right of the IP to Visualize throwing the club to with a corresponding more closed or less closed club face depends on how much draw or fade you want to use to shape the shot. Correct? Do you ever consciously try to throw the club right over the IP for a straight a shot as possible?

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    • From Shawn Clement on DIAGONAL STANCE PART 2-IRONS AND WORKING THE BALL!

      No, not necessarily!
      For a draw; let’s say I found an intermediate point that is a bit to the right of the end target. I would line up left side of this IP and release over the IP to Start the ball on the line I want to start it.
      You can use the IP any way you like! 👍😀

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  • From [email protected] on Working the Ball

    Shawn, excellent video, I wish I would have viewed it first. Just one more questions; When you look down at the clubface at setup, is it actually hooded for a draw and hooded less for a fade? Thanks Ron

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    • From Shawn Clement on Working the Ball

      There ya go! And yes, it Can Look that way; if the grip is neutral-if the grip is strong, it can look little closed for draw and square for fade;
      Can be with face-can be with grip-can be a bit of both…what matters is when you release into the direction you want to start the ball, that the ball curves in the air the way you want it to or has at least that flavour.

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  • From [email protected] on HIGH SHOTS PREMIUM DANDELION CUTS

    Great video – just like my range practise – high low fade and draw – the height you throw set sets the TILT. Did I miss the flop shots?

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